1. |
Yaba
04:32
|
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2. |
Nognic
02:50
|
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3. |
Rodo
04:14
|
|||
4. |
Não Gosto
03:23
|
|||
5. |
Vlu
03:34
|
|||
6. |
Poscoce
02:03
|
|||
7. |
Birlium Barlium Bleum
01:46
|
|||
|
A BIRLIUM LAIKA BARLIUM
LAIKA A BIRLIUM LAIKA BLEUM
A BIRLIUM LAIKA BARLIUM
LAIKA A BIRLIUM LAIKA BLEUM
A BIRLIUM LAIKA BARLIUM
LAIKA A BIRLIUM LAIKA BLEUM
BLEUM BLEUM BLEUM
AH BURPRPRPRPRP
AH BURPRPRPRPRP
AH BURPRPRPRPRP
|
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8. |
Jombo
05:27
|
|||
9. |
Bermucio
02:38
|
|||
|
nomoadic aledqui vemded
didja veles alcu sumul
botu dedcal loperiod
laldeladed eoid
lmvadencu vean
litolforrale ki
meol e bedcô
comul
it se me kê
i
latedkuf le kan
a
vael kuf el kovrelmu
bitol vedrrê
uan itôdê mm tod med
litfodidonad e sodaku litovid
idomed itscambec fol nadn
idzaledklufnexum
nau
mezambô adkudecô mazdê
noeu ou sel impi
indovede cad
bilkel brim fê
barra delcud
|
||||
10. |
Aeroporto
03:19
|
|||
|
Letan bolte filden fual
Ove nivel novel faltulfo
Elnalni hilde oldelnua rotzo
Iven avo nuden ivenva
Oneia uredena vo
Oreunian dziziena mueidiago
Boreu mmrria ieiada uaried
Bara mereranquia buoria ffuroriea aa aa
Molden ui sovango
Endui elna rissivel te
Norel ide larenrrorena
Retso lol ue delvie lod are
Delvecu denod alenvu bolno
|
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11. |
||||
|
Falquique milcudca
Fel acud milcude
Faecti molderra
Fetudrre eamu
A e i o
Feldia kiquin a
Molgueti futune
Moquie farracu
Ibtonrre ilbicnu
|
||||
12. |
.3
03:28
|
|||
|
molvol falmul dzetzol relna
birlne relni dzolco fato
falva eque dzilrul deta
verne tzacnu elcol vea
viuu neena
guendzu mem man
on nuin enun nen nan
|
||||
13. |
Primeiro dia
04:43
|
|||
14. |
Violinha Do Tomaz
01:21
|
|||
15. |
Peudo
01:57
|
|||
16. |
Olhando para Dumdum
03:06
|
|||
17. |
Sólido
04:00
|
|||
18. |
Vamubbáguajámorreu
02:03
|
|||
|
VAMU BBAGUA JA MORREU
VAMU VBATEASA JAVUO
DONAXIK DMIROU C C
DONAXIK DMIROU C C
|
||||
19. |
Ala Z
02:29
|
|||
pexbaA Belo Horizonte, Brazil
It’s a free subject, once the words have no meaning at all. So, besides the personal interpretation of each single listener,
in these words there are no expression vices or literary clichés, easily found in any language.
That is, we can say that we are influenced by everything that we have managed to capture between 20 hertz and 20 kilohertz.
... more
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